Things I Know 365 of 365: Everything has(n’t) changed

flood waters 168/365
I had a car when this year started.

I had a car and a job and lived in the same state as my dog.

None of those things is true today.

For as much as the where and the what of my life have shifted, the who remains remarkably the same. I’ve spent the last few hours reading the first few dozen posts of the year, and of this series.

In many respects, they were some of the easiest posts to write. They came from the top of the pile of ideas and didn’t require me developing the now-constant habit of asking, “How could I write about that?” as I interacted with the world. They also speak to some of the core pieces of who I am and what I know. I am still a kitchen dancer who believes in the power of silly and understands the scaling power of boredom.

I still have questions for Michelle Rhee and like to listen in. I sit in wonder as I think about Sam and the Diatreme.

I won’t list them all. They’re here for your perusal and mine.

Here, just here, in this space and series I wrote and published around 150,000 words this year. Add to that my writing for classes, and this was my most prolific year linguistically.

As much as I’m looking forward to it, I’m nervous about tomorrow. Will I still write? Will I want to? Will I feel purpose?

The answer to each of these, I hope, is yes. Still, the worry is perched in my brain.

In a year that brought more change to my life than most any I can think of, writing here was a constant. At each day’s close, it was what I did. The rules changed and shifted according to my needs, but I was always committed. In the throes of change, this was something I did.

I’ll miss it.

Reading through the posts, I am sad to leave them here. They are the thoughts I found most worth sharing, and now they will sleep as an archive. I’ll miss the conversations. They’ll stay here for my children to find some day when they go looking to know better who I was, and that makes me happy.

In my first post, I mentioned Robert Fulghum. From boyhood, I’ve admired the dances he choreographs with words. Many of his are words I wish I wrote. While I’m still waiting for his reply to my letter so many years ago, I’d like to think I’ve done something here of which he’d approve. I’ve gone on a journey, an adventure of the every day, and left a map for myself should I ever want to return.

Knowing that makes it all worthwhile.

That’s what I know – for now.

Things I Know 326 of 365: I hated New Year’s Eve

Plot Keywords: Videoconferencing | Nurse | Caterer | Illustrator | Ticket |

– IMDB’s plot keywords for New Year’s Eve

My sister Rachel and I have a long-standing tradition of going to see bad movies together. Sometimes, like last year’s trip to Burlesque, they are the good kind of bad where you leave the theater feeling as though everyone involved was in on the joke. From the stars of the show to the ticket takers, you walk away feeling as though we all knew the movie was bad, so we decided to have fun with it.

Tonight, not so much.

We went to see the Garry Marshall monstrosity New Year’s Eve. Not since 30 Minutes or Less have I so longed for the days of the Inquisition or the Crusades or silent films.

It was horrible.

So bad.

So horribly, horribly bad.

And no one, not a single soul, was in on the joke. Robert De Niro? Nope. Hillary Swank? Nah. Halle Berry? Huh-uh.

And that’s just the Oscar winners.

When De Niro’s character died, I envied him.

Every single actor on the screen, including Michelle Pfeiffer and Ludacris (Really, Luda?), seemed to be working under the assumption they were in a movie that was anything other that bad.

The film attempted to zip through a multitude of storylines in 118 minutes that felt like I was living in 127 Hours. Whether we were supposed to empathize with the characters or pity them, we never really knew how.

And we were supposed to overlook the idea that Katherine Heigl and Jon Bon Jovi were supposedly one another’s soulmates? He may only be 16 years older than her, but it played like we were watching Harrison Ford meet Colista Flockhart for the first time over a bowl of green Jell-O.

If there is any redeeming quality in New Year’s Eve, it is as follows.

As someone who has been perennially let down by the fake holiday in the past, I can take comfort this year in knowing whatever I’m doing as 2012 roles in, it will be better than that movie.