Things I Know 80 of 365: Building online courses is scary

In my experience, it takes about twice as long — prep time, putting materials together — to actually deliver the online course than it does to deliver the on-campus course.

– Denise Keele, professor of environmental policy, quoted on npr.com

For about an hour this afternoon, I felt as though I’d written myself into a corner. I’m doing some work with a school district’s professional development office to build a course on inquiry and project-based learning in the literacy classroom.

The thing should be a piece of cake.

I’ve spent the better part of a year in an online grad program that gets it wrong in so many ways that I am acutely aware of the pitfalls and pratfalls of online learning.

Building the course is about more than distilling the core beliefs and approaches of how I think about teaching and passing on those ideals.

It is also about building a space where the discussion board isn’t a place where discussions go to die and feedback consists of copying and pasting from a rubric.

After eight months of knowing what it feels like when done wrong, I sat scheming today, dedicated to constructing an online learning space and process that felt real.

The worry we have about K-12 teachers ignoring the needs of their students and teaching in mentally tortuous ways because their education is compulsory, is too often exacerbated in adult learning spaces.

Sometimes, I let my mind wander and imagine what the planning sessions must be like.

“Okay, we want our faculty to be trained in how to take an inquiry-based approach in the classroom. Let’s sit them all in a cafegymnatorium and tell them about inquiry.”

“That’s a great idea. I’ll build a PowerPoint with all the information from the book we’ll buy them and see how many words I can fit on each slide.”

“Great! While you two are doing that, I’ll build the online follow-up that will vacillate between assignments giving them directions to follow that are so specific that the implementation can’t possibly fit their students’ needs and assignments so vague they’ll never be certain they completed them correctly until they receive the final e-mail.”

You can see what I was working against this afternoon.

I don’t want to build what I hate.

Turned out the answer was the same as it ever was. I need to do what I say I believe. I started drafting questions to help focus on the ends toward which participants will work. I imagined how a participant would ideally shape his classroom upon completion and worked backward to design modules that help participants raise relevant questions and work toward their answers through inquiry, implementation and reflection.

The course is still in its most nascent stages, but I’m building somewhere I’d like to learn. That can’t be all bad.

It turned out the best way to avoid becoming the practitioners I resent wasn’t to work against becoming them, but to work to be more myself.

I wonder how many times I’m going to have to learn that lesson.

Things I Know 79 of 365: My students are readers

Books let us into their souls and lay open to us the secrets of our own.

-William Hazlitt

As my students amassed this afternoon, I met them outside my classroom with the door closed and waited for the last stragglers to, well, straggle.

“Partner up with the person in class who you think is the best researcher,” I said, “When you have a partner, you may enter the room.”

As they partnered and entered, I told each partnership that one of them should open a blank Word doc.

“I’m going to ask you a series of questions,” I said.

For each question, the partners needed to sniff out the answer, document their source and, if the source was a PDF, document the number. Answers needed to be in complete sentences, preferably restating the question as a statement.

Before I began with the questions, I told the class about running into a friend this weekend at the coffee shop near my house.

A fellow educator who knows the belief structure of SLA, with a smile in her voice she asked, “So, have you guys just been drilling and killing?”

We both laughed.

“Not so much,” I said, “I did bring it up last week. I figured, if they’re going to take the test, we should probably talk about it.”

It’s true.

That’s what I said to her and how I brought it up with my students.

Tomorrow, my G11 students will take the first two sections of this year’s standardized tests.

Today, we prepared.

Rather than prepare a slidedeck explaining the inane nuances of the test, those same inanities became the questions for our research today.

“How many sections of reading are their on the G11 Reading PSSA?”

“How many of each type of question is in each section?”

“What are the possible genres of reading passages on the test?”

And they searched and found and filled in the holes. Some were frustrated, others downright competitive.

The moment that struck me and the moment that let me know we were doing the right thing was when one of my students offered up, “It feels like we’re searching for classified information.”

I flashed to David Perkins and Making Learning Whole and everything he had to say about learning the hidden game.

I know Perkins was talking about the hidden game in real, worthwhile learning and not standardized tests. In the eyes of the state, sadly, the next few weeks represent the realest of real learning my students will be doing this year.

The grant project and the building history project will mean nothing, nor will the multiple books the kids have blazed through and the conversations they’ve had as readers.

Perkins talks about the hidden game as the pieces of learning that are unspoken and unknown except to those who know how to play well. They might not even been understood by those who play well – they just are.

I suppose, aside from some practice in researching, that was the other goal of today’s exercise. I wanted them to know they will find 22 multiple-choice and 2 open-ended questions tomorrow before they sat down so they don’t need to worry about the rules. All they’ll need to worry about tomorrow is reading.

They can do that.

They can read, question and converse better than many undergrads and grads I’ve known. They know what they look for in a book and can tell you. They can tell you why a book is boring and why it’s exciting. And, they’re working on learning to read more closely than most people I know.

They are readers.

I told them that.

I told them that, and I told them to slow the frak down tomorrow.

It’s the best way to play the game.

Things I Know 78 of 365: I Blog4NWP

As of write now, the country will shut down April 8.

Unless Congress can write the ship of the federal budget to the degree that both bickering parties can stand back and say, “That’s alwrite,” then write at the stroke of midnight the federal government will be write back where it was in 1995.

Though some clearly partisan issues lurk in the spending of the federal government, some issues belong neither to the left nor the write.

Some issues transcend.

As I’ve said before, the National Writing Project is one of those issues. Never, ever before has the country benefited from such a grassroots network of professional development that has consistently been proven to improve student learning and teacher performance.

In an educational climate where we are to be racing to the top, I’m certain of one thing, the National Writing Project has already been to the top and circled back to help the rest of us get there.

Name a metric of programatic success and the NWP will impress you. Worried about fiduciary inefficiency? Don’t look at the NWP, almost 100 percent of its federal funding is matched at its more than 200 sites by local dollars.

Or, it was.

March 2, President Obama signed a bill eliminating direct federal funding for the National Writing Project.

According to a statement by NWP Executive Director Sharon J. Washington:

National Writing Project teachers provide more than 7,000 professional development activities annually, reaching 130,000 educators, and through them, 1.4 million students. These programs are designed locally to meet the specific needs of the students, teachers, and communities served. The loss of the National Writing Project will have an immediate impact on teachers and students across the country.

I am ashamed of a congress and president that would tout the importance of education and the need for preparing our students for the future and then eliminate funding to a program that has done nothing but good for over three decades.

We will enact laws to accommodate the wills of billionaire philanthropists as they try this and then that approach to education as though all it takes to inspire learning is pushing the write button in the Wonkavator, but we will not support the work of a network of teachers across the country to continue on with what is a golden ticket of an approach to improving teaching and learning.

I am saddened and ashamed.

And, tomorrow, I’ll be calling my congressmen – again.

Things I Know 77 of 365: What we read makes who we are and what we do

You never really understand a person until you consider things from his point of view – until you climb into his skin and walk around in it.

– Atticus Finch, To Kill a Mockingbird

To mark AOL’s consumption of The Huffington Post, Arianna Huffington announced Monday that “AOLers and HuffPosters (who are now AOLers!) will be volunteering in their local communities” as part of a 30-Day Service Challenge.

Aside from being a good public relations move, it’s also good work. No matter one’s political leanings, jumping in and helping the rest of humanity is a good idea.

I used to teach with a science teacher who had completed a fellowship during which she attempted a different job each week for 52 weeks. At the end of the year, she’d done it all – including her personal favorite, learning to drive an 18-wheeler.

She walked through life with a different and deeper understanding of the people with whom she interacted.

She had taken Atticus Finch’s advice and walked in the skin of others.

This gets toward the heart of why I want so badly for my students to connect with books and be more thoughtful about what they view. These stories, mostly fictitious, provide moments of connection and portrayed experiences that wouldn’t otherwise be possible. I want my students digging deeply into texts because the more they read, the more they will archive. Their brains will become rife with archives of the “what ifs” of all the plots and characters they encounter. And this, this will prepare them for those moments when they are up against odds unknown or come face-to-face with someone diametrically contrary to who they are.

I grew up in a small town of 250 people. My school was in the next town over and educated just under 400 students. While each of us was an individual, the world our interactions created was nothing compared to the complexity of life for my students in Philadelphia or Sarasota.

While I can’t deny thoughtful parenting was the largest preparation I received for the world beyond Cantrall, IL, it was the books, television shows and movies I read that picked up where my family’s experiences left off.

Nothing can replace the actual experience of mucking in as the “AOLers and HuffPosters” are and my former colleague did. Reading, though, can serve as the primer in the absence of the physical experience – the original virtual reality.

Starting next week, my students will be spending dedicated class time on change.org. Launched in 2007, the site both raises awareness of acts of injustice and calls on readers to take action as well by signing petitions or contacting government leaders. I cannot provide my students with exactly what they will need for every possible eventuality they might face. Absent that ability, I can help them build connections with texts, read those texts closely and then ask questions about how what they can do in relation to what they’ve just read.

My mom likes to tell the story of the first time she read me a children’s biography of Martin Luther King, Jr. I’m not sure of my age, but know I was still in the realm of footy pajamas. As my mother tells it, we’d finished reading the section explaining racism and it affected me deeply.

“You were pacing back and forth yelling, ‘That’s wrong, mommy! That’s just wrong!’”

Though the texts my students or I encounter may not always draw on themes as clearly unjust as racism, both they and I are missing the story if we’re not looking at how the characters are treating one another and how we see ourselves in the pages or scenes of what we’re reading.

Things I Know 76 of 365: Good conversation can be self-sustaining

Conversation would be vastly improved by the constant use of four simple words: I do not know.

– Andre Maurois

Thursday’s advisory began with a question. Actually it was a statement first, “Now, I don’t mean to sound racist.”

I turned to Matt, my co-advisor, and said, “We’re about to hear something racist.”

“Why is it that caucasian people can’t handle spicy foods?”

I was wrong.

The next 45 minutes ended up being one of the best advisory periods I’ve ever had.

We wound through racism and stereotypes and what separates the two. We talked about possible sources of those beliefs. We talked about some of the roots of American cultures and asked questions of the kids as to what they understood.

I explained my family had no discernible roots in the Caucasian Mountains and that it was okay to call me white.

When one student said, “Let’s say someone calls someone else the ’n-word’ for no good reason, what do we do?” we worked toward an answer to the question and dealt with the idea that “for no good reason” implied there could be a good reason.

From a bean bag chair, one advisee added, “The ’n-word’ was just a way the slave owners oppressed black men.”

I’ve had this conversation or some off-shoot of it many times. This was the best version.

“What about when you hear someone say something and you think it is racist? What’s the best way to deal with that?” I asked the advisory.

I called on a student who didn’t have her hand up, but whom I could tell was working through her answer by the look on her face.

“Tell us what you’re thinking,” I said, “Even if you’re not sure, tell us what’s playing through your mind.”

A little shocked at first, she said, “Well, I guess I’d ask them questions. When she asked her question,” she said motioning to the student who had asked the initial question, “you didn’t jump on her or anything. You just asked her questions. That seems like the best thing to do.”

I challenged a little bit, suggesting it was one thing to offer that answer now, but another to remember it in the heat of the moment when one feels offended. The advisee agreed and we continued thinking and talking.

We continued, as luck would have it well past the dismissal time for advisory.

No one made a move toward their book bag.

No one asked if they could leave.

No one departed from the conversation.

Because the conversation started from a place of curiosity and the topic we were discussing was rich with no clear answers, no one seemed to notice we’d tripped over the end of our mandated togetherness.

Things I Know 75 of 365: Today I ran nowhere in particular – for an hour

We must go beyond textbooks, go out into the bypaths and untrodden depths of the wilderness and travel and explore and tell the world the glories of our journey.

– John Hope Franklin

Today, for my run, I put 60 minutes on the clock and ran wherever for an hour. I did the same thing yesterday.

Pace and distance didn’t matter; I was worried about the run. Both days, I ran routes I’d hesitate to call straightforward. Yesterday’s, in particular, included more staircases than I’d ever knowingly include in a route were I planning for distance.

Yesterday, though, I came to some staircases and understood they would be part of the run.

I wasn’t trying to solve the problem of how far or how fast. I knew I would be running and let that happen.

This is the same reason I like Star Trek. No matter what problems they faced episodically, the missions of the crew from any iteration of the Enterprise was to boldly go where no one had gone before.

I wasn’t exactly hitting warp 9 on my runs, but I felt kindred.

This is the same reason I asked the instructor of my newest grad school module if I could forgo coming up with a problem statement for my course project and focus on trying new stuff. My instructor told me to message him separately after explaining we needed measurable goal lest my work appear to be innovation for innovation’s sake.

It was all I could do in that moment not to reply, “I’m a fan of that.” Instead, I told him I was worried about getting lost in a deficit ideology about education. I wanted to try something new.

When I was younger, I called it play.

I didn’t sit with my toys in front of me and think, “Now, what’s the problem I’m trying to solve here?”

Sure, kid life must have been full of its fair share of dilemmas, but I didn’t play for the purpose of solving them. I played to play.

I’ve no doubt I was able to solve many of those problems because of play – because of the time away from my problems that playing involved and because playing in a non-problematized world let me develop skills without worrying about transference or application.

In one of my favorite episodes of The West Wing, Rob Lowe’s character Sam Seaborn is explaining to Chief of Staff’s daughter why it was important for the government to send a probe to Mars.

“Why?” she asks.

His answer is why I decided to run nowhere in particular and what I’d like to guide my course work:

‘Cause it’s next. ‘Cause we came out of the cave, and we looked over the hill and we saw fire; and we crossed the ocean and we pioneered the west, and we took to the sky. The history of man is hung on a timeline of exploration and this is what’s next.

I want to solve the problems in my classroom. I want to improve my teaching. I also want to remain passionate about ideas and where they can lead. I want always and forever to have the freedom to ask, “What’s next?”

Things I Know 74 of 365: Story is currency

On the day when man told the story of his life to man, history was born.

– Alfred de Vigny

Stories have always fascinated me. My family trades stories like currency. From the garbled message from my cousin Milo explaining why the book I sent him was so important to my great-grandparents’ and now grandparents’ recollections of where we come from, stories matter in my family.

When I interviewed to teach at SLA, I was asked to describe my dream class. I was nervous and unprepared. I have no idea what I described. Now, though, I am teaching it. Second semester, for two years now, I teach a class called Storytelling to SLA seniors.

As I’ve explained before, Tuesday afternoons, I set up the class like a performance space, heat a percolator of coffee and one of hot water for tea. I set out cream and sugar and cookies. Beside them, I have a tip jar.

At the front of the room is a microphone. Beside it is a table with a small sound board and a laptop.

For two hours at the end of my Tuesday, I sit at that table and listen as my students share and explode moments of their lives in our weekly class story slams. Built around the rules of Philadelphia’s First Person Arts Story Slams, the rules are simple.

Three random audience judges scoring on content and presentation.

Five random storytellers.

No more than 5 minutes.

No notes.

True stories.

Tuesday, I woke up with a Daylight Saving Time hangover. I couldn’t imagine why anyone would want to leave their bed. I dragged through much of the day. Then, during lunch, I remembered – slams.

I set up the room, bought the supplies and greeted the students as they filed in.

Describing the stories would fall short. There’s something at once vulnerable and empowered as my students stand behind the mic and share parts of their lives the people in the room have usually never been privy to.

I’ll stop here and let you listen to two selections from this week’s slam around Malice.

No matter the discipline, story should be the currency of our classrooms.
Ralen and Freda by MrChase

Things I Know 73 of 365: It’s time to write our declarations

We hold these truths to be self-evident…

Declaration of Independence

Students, teachers, community members across the country taking a day to stop, think about great moments of learning, pull from those moments the pieces that made them valuable and then declare what they need from learning.

This the is the idea behind the Great American Teach In.

It doesn’t stop there.

What if we took those ideas – in classrooms, schools, coffee shops – and asked what our places of learning are doing to support and hinder those moments? When we figured that out, what if we as learners drew up the steps we – and I’m talking the totality of the “we” – drafted the steps we would take to make more perfect places to work and learn?

Tuesday, we announced the launch of the Teach In.

For some it will be a first step. For others, a next step.

It will be a step away from political parties or ideology. Asking our students and ourselves to share powerful positive moments of learning should never be political.

It should and must be pedagogical. It must be informed by pedagogy and it must inform our pedagogy.

The discourse about education in America has lost its course. What should be rooted in the curiosity of the people and should work to build a more democratic citizenry rarely asks students what they would like to learn and how they would like to learn it. Much too infrequently do we stop and ask our students and ourselves to reflect on those real and true and pure moments of learning and then cobble together the best parts to build tomorrow’s learning.

Let’s do that.

In the week leading up to the Great American Teach In, let’s schedule Teach In Talks in restaurants, bars, coffee houses and living rooms where we ask our family, our friends and strangers to share their stories of learning. Let’s ask everyone to the table of discourse and really and truly think about what we want and need to make our places of learning more perfect.

Let’s share those stories at elev8ed and Faces of Learning. Let’s upload them to Youtube and Facebook. Let’s write them on our blogs and tweet them, tagging each and every one with #teachin11 so they can live and be archived together and we can learn from how each other learns.

Knowing, though, and doing are different things.

Once we have learned, let’s make choices about teaching and learning that respect what students need. Let’s build places of learning that don’t ask students to conform, but conform themselves to the needs of those students.

If you have ever asked what you can do to help children learn, first ask them how they have learned and then ask how you can help them do it again.

We will learn more if we begin from a place of questions rather than answers.

Things I Know 72 of 365: Dichotomies can go more than two ways

Inquiry is fatal to certainty.

– Will Durant

Jon Becker asked what I took to be a serious question today on twitter, “All of you fired up about Kahn Academy and TED ED, how do you reconcile that with your belief in learner-centered, inquiry-driven learning?”

The question implies Kahn and TED ED stand diametrically opposed to learner-centered, inquiry-driven learning.

It sets up a dichotomous relationship where one need not exist. The thing about dichotomous relationships is they present hard choices in easy packages.

Reconciling the learning of someone walking away from a TED Ed or any TED talk with the learning of one in an inquiry-driven environment is important, thoughtful work.

We need not, as Samuel Johnson said in his “Rasselas” make our choice and be content. Building a learning environment need not mean choosing one path and forsaking all others.

It’s easier to treat the matter as such, but learning and teaching should be more complex than that. Acknowledging the value in something that appears contrary to one’s belief could put one on the precipice of doubting those beliefs.

Again, it need not.

If inquiry and learner-centered learning are keystones to my educational approach. Building classrooms or other places of learning around the curiosity and interests of the learners in those spaces is the best way for them to learn. It is not, by any means, the only way for them to learn. In fact, a monoculture spoils the soil of learning.

I played with LEGOS, spent hours by the creek that ran along our property line and tied sheets around my neck pretending I was any number of make-believe super heroes when I was young. I also sat listening on the laps of any family member who would take the time as they read me stories. I watched Sesame Street. I sat at my grandparents’ kitchen table as my grandfather explained who Casmir Polaski was and why we got the day off school because of him.

I learned in many ways.

My friend and colleague Matt has his G9 students complete a learning style inventory at the beginning of the school year. Students answer familiar questions of how they prefer to handle information. In the end, their scores show them the spectrum of learning styles with which they approach life. It’s a tremendous exercise with great value so long as its followed, as Matt makes certain it is, by the conversation explaining the results as a snapshot of where the students’ learning preferences stand in that moment.

Dichotomies over simplify the issues they attempt to settle. Perhaps dangerously, they sidestep the conversation and careful consideration of how new or different information can shift the paradigms through which we shape our understanding of the world.

I see value in Kahn and TED.

I see greater value in inquiry and student-centeredness.

I’ll privilege the latter more than the former in my classroom, but I won’t deny both can help students learn.

Things I Know 71 of 365: Writing can be so much more

For a while now, I’ve been following @IAM_SHAKESPEARE on twitter. The idea behind the account appealed to me – tweeting every work of Shakespeare, line-by-line.

I’m fairly certain I was teaching my Shakespeare class at the time and all juiced up on The Bard.

Initially, Shakespeare was following me too. Not anymore. The realization that my writing had lost his attention, faux or otherwise, was a bit of a blow to the ego.

Then again, I’m struggling to remain interested in what cyber-Bill has to say. Every now and again, I’ll catch a key line from a work I’ve read and feel the self satisfaction of recognition. Most of the time, though, I’ll see something like the recent, “Farewell. Our countrymen are gone and fled.” I’m not sure what to do with that.

The narrative wasn’t built for Twitter.

This is not to say Twitter wasn’t built for narrative.

Most recently, the exploits of the fictitious Rahm Emanuel, @MayorEmanuel, have shown the medium can do more than answer its initial question of “What are you doing?”

As revealed in a recent story from The Atlantic, Chicago writer/professor/punk zine publisher Dan Sinker used the account to build an entire world for what could be described as his Nega Emanuel.

In his analysis of Sinker’s work, Atlantic Senior Editor Alexis Madrigal writes:

When you try to turn his adventures into traditional short stories or poems, they lose the crucial element of time. The episode where the mayor gets stuck in the sewer pipes of City Hall just does not work when the 15 tweets aren’t spaced out over 7 hours. It’s all over too fast to be satisfying. There’s no suspense.

This is 4-D storytelling, and I’m fascinated.

@MayorEmanuel existed as a stand-alone narrative with no tie-in or marketing behind it.

In the lead up to the 2000 release of the film adaptation of Brett Easton Ellis’s American Psycho, fans could receive e-mails from the film’s main character Patrick Bateman. It was 2000 and e-mail was still super cool. I was working at my university’s student paper at the time and remember the daily discussions as the e-mails arrived in our movie columnist’s inbox.

I’d read epistolic fiction before, but this was something new. It was sent out at the author’s pace, not the readers’. As Madrigal pointed out, suspense was built as a function of how the story was told.

The seniors in my Storytelling class are writing short stories now influenced by one of the human emotions as described by Aristotle. They’re crafting stories the way generations before them have composed texts. Though they’ve moved from paper to the screen, the process and the format are largely the same. I see and understand the value of the exercise. There’s a holding on to the roots and the tradition of writing stories (and I love Fiddler on the Roof as much as the next guy).

At the same time, Singer won’t be the last person to bend Twitter or any other social network to his will. I’ll be remiss in my duties if I don’t offer up these online spaces as playgrounds for the telling of the stories my students are writing.

It’s incredibly simple to ask them to write stories and post them to class blogs. They’re already doing it here and here.

Only doing that, though, would be tantamount to art teachers forbidding their students to use perspective in their painting. Story can have a depth and breadth to it online far beyond the linear nature of the page – be it paper or web.

The future of writing and literature has too many possibilities for me to force them to write in the past.

I’ve begun thinking of ways to encourage my students to start playing with new media as mechanisms for delivering their stories. One of the essential questions for the class asks, “How is a story affected by how it’s told?” The answer to that appears to be shifting before our eyes.