If a picture’s worth a thousand words, isn’t art class more valuable than reading?

A few weeks ago, some friends and I visited Boston’s Institute of Contemporary Art. I did there what I do each place I’m asked to view contemporary art. I looked at each piece for a few seconds, read the accompanying artist’s or curator’s statement thoroughly, and then looked back to the art thinking, “Oh, that’s what they meant to say. Of course!”

This is my way with contemporary art.

It is not, in any way, how I encounter printed words.

In middle school, reading a textbook, I skipped the graphs, the charts, and the tables. I read the words. I’m not sure why I thought those other pieces were there. Filler, maybe?

It’s worked out pretty well so far. Being able to read and manipulate text is the lingua franca of school and the wider world.

Yesterday, I found myself arguing for the opposite. In my Digital Humanities course, I tried to push and pick at people’s thinking around the necessity or sanctity of text.

My thesis is this: Information is equally imperfectly served through transmission via text as through transmission via graphics.
Images, though, don’t have equal footing when we think about reading and literacy. The two terms ellicit images of words, phrases, sentences – verbage.

But they don’t need to, and I’m starting to wonder if we’re not doing ourselves and our students a disservice by putting the premium on the ability to read text.

We lose not only the ability to create and read images, but the comfort and habits of mind that accompany this way of seeing the world as well.

Though the gallery was utterly silent on my trip to the ICA, each image was screaming with the artists’ ideas and commentary. I just had no tools for how to read and understand their language.

Things I Know 246 of 365: I’m deciding to learn something new

True genius resides in the capacity for evaluation of uncertain, hazardous, and conflicting information.

– Winston Churchill

In my first weeks at SLA, I got a little terrified. I inherited my classroom midway through the first quarter. By the time I’d started thinking about getting my bearings another teacher approached me, “What are you planning for your benchmark this quarter?”
For what was the fiftieth time since joining the school, my heart stopped.
I had no idea.
I talked to Chris. It was a moment of intellectual cardiopulmonary resuscitation.
Essays, he explained, could be projects.
I breathed again.
I can do essays. They are the coin of the realm for the bulk of schooling. Whether you believe the 5-paragraph essay is the devil or the first step to clean livin’, schools find ways to get kids writing essays. Take a look at standardized test scores and you won’t be able to turn around without bumping into a schools whose writing scores outpace reading, math and science.
I’ve got three major essays in the offing here at school. This is on top of the weekly essay assignments for two classes. Add to those the daily postings here, and I start to feel like the essay king.
It’s ok. Essays are my sport.
So, I’ve decided to take up a new sport – one I appreciate watching, but have no idea how to play.
I’m going to learn to create data visualizations.
In google reader, my “Infographics” folder is my favorite.
I’ve been quietly building my collection of resources in delicious.
After I complete my next two essays, I’m starting. Seriously.
As many people better versed in the visualization of data have written, information and making sense of it are the coins of the realm for the modern age.
This realization is my secondary drive. Most of all, I’m curious. It’s the same things that led me to open up and dissect every telephone I could get my hands on as a little kid. It’s what prompted me to mix rain water, onion grass and other things I found in my yard and leave them in the garage to see what happened.
I’m curious about something I don’t know. So, I’m learning a new sport.

This is better than writing a paper

The Gist:

  • Thinking about texts is complicated.
  • The ideas of success and greatness are fluid and subjective.
  • Rather than a paper, I’m having my students document their thinking.

The Whole Story:

This piece of work won’t end in a paper. If you’re a traditionalist English teacher-type, you should abandon hope.

In Storytelling as of late, we’ve been working with short stories.

Three questions have held our focus:

  1. What makes a short story?
  2. What makes a great short story?
  3. What makes a successful short story?

With the consideration of each question, the students have been keeping lists qualifiers they identify as we work through some classic and contemporary examples. The other day, they received this assignment:

Today, you’re working to create a flow chart I can apply to any text and correctly end at one of the five following conclusions:

  • Not a short story.
  • Short story, neither great nor successful.
  • Short story, great, not successful.
  • Short story, not great, successful.
  • Short story, great and successful.

To create your flow chart, use one of these five tools:

Once you’ve completed your flow chart, post the link to the final published chart here.

Admittedly, “correctly” in the opening sentence was subjective, but it took the kids to some interesting places.

Hannah created this.

Narayan and Jarmel created this.

Jesse did this.

Patrick did this.

And, Levon did this.

When everyone’s chart was submitted today, the students beta tested:

Pick a flow chart here.

Plug in 5 different texts:

  • Not a short story.
  • Short story, neither great nor successful.
  • Short story, great, not successful.
  • Short story, not great, successful.
  • Short story, great and successful.

Keep track of where it comes out. Take notes of where you got lost or where you needed more direction. Pass your notes on to the flow cartographer as a reply in the forum.

Repeat for two more charts.

Not only did it lead to some interesting informal discussions of what constituted “great” or “successful,” it pushed students to revise and iterate their process for arriving at these conclusions.

I won’t be assigning a paper at the end of this. I don’t need to. Writing a paper no one will care about is not the skill I want them working toward. They’ve shown me their thinking in a way that is more accessible than they’ve be able to in a collection of paragraphs analyzing one or two chosen texts.

This, I can interact with.